Chess knight courtesy of COCHISE LEATHER COMPANY
“The Statue of San Sebastian”
Season: 1 episode 39
Series Episode: 39
Air Date: June 7, 1958
“Sancho, by tomorrow morning all the water will be gone. If you haven’t been able to think of something to do by then, I promise you I will.”
FOR INFORMATION LEADING
TO CAPTURE OF
CONTACT IAN CROWN
BLACK ANGUS RANCH
Statue of San Sebastian
“Our doubts are traitors and make us loose the good we oft might win.”
Paladin quoting Shakespeare
Enter ISABELLA and FRANCISCA
And have you nuns no farther privileges?
Are not these large enough?
Yes, truly; I speak not as desiring more;
But rather wishing a more strict restraint
Upon the sisterhood, the votarists of Saint Clare.
[Within] Ho! Peace be in this place!
Who’s that which calls?
It is a man’s voice. Gentle Isabella,
Turn you the key, and know his business of him;
You may, I may not; you are yet unsworn.
When you have vow’d, you must not speak with men
But in the presence of the prioress:
Then, if you speak, you must not show your face,
Or, if you show your face, you must not speak.
He calls again; I pray you, answer him.
Peace and prosperity! Who is’t that calls
Hail, virgin, if you be, as those cheek-roses
Proclaim you are no less! Can you so stead me
As bring me to the sight of Isabella,
A novice of this place and the fair sister
To her unhappy brother Claudio?
Why ‘her unhappy brother’? let me ask,
The rather for I now must make you know
I am that Isabella and his sister.
Gentle and fair, your brother kindly greets you:
Not to be weary with you, he’s in prison.
Woe me! for what?
For that which, if myself might be his judge,
He should receive his punishment in thanks:
He hath got his friend with child.
Sir, make me not your story.
It is true.
I would not–though ’tis my familiar sin
With maids to seem the lapwing and to jest,
Tongue far from heart–play with all virgins so:
I hold you as a thing ensky’d and sainted.
By your renouncement an immortal spirit,
And to be talk’d with in sincerity,
As with a saint.
You do blaspheme the good in mocking me.
Do not believe it. Fewness and truth, ’tis thus:
Your brother and his lover have embraced:
As those that feed grow full, as blossoming time
That from the seedness the bare fallow brings
To teeming foison, even so her plenteous womb
Expresseth his full tilth and husbandry.
Some one with child by him? My cousin Juliet?
Is she your cousin?
Adoptedly; as school-maids change their names
By vain though apt affection.
She it is.
O, let him marry her.
This is the point.
The duke is very strangely gone from hence;
Bore many gentlemen, myself being one,
In hand and hope of action: but we do learn
By those that know the very nerves of state,
His givings-out were of an infinite distance
From his true-meant design. Upon his place,
And with full line of his authority,
Governs Lord Angelo; a man whose blood
Is very snow-broth; one who never feels
The wanton stings and motions of the sense,
But doth rebate and blunt his natural edge
With profits of the mind, study and fast.
He–to give fear to use and liberty,
Which have for long run by the hideous law,
As mice by lions–hath pick’d out an act,
Under whose heavy sense your brother’s life
Falls into forfeit: he arrests him on it;
And follows close the rigour of the statute,
To make him an example. All hope is gone,
Unless you have the grace by your fair prayer
To soften Angelo: and that’s my pith of business
‘Twixt you and your poor brother.
Doth he so seek his life?
Has censured him
Already; and, as I hear, the provost hath
A warrant for his execution.
Alas! what poor ability’s in me
To do him good?
Assay the power you have.
My power? Alas, I doubt–
Our doubts are traitors
And make us lose the good we oft might win
By fearing to attempt. Go to Lord Angelo,
And let him learn to know, when maidens sue,
Men give like gods; but when they weep and kneel,
All their petitions are as freely theirs
As they themselves would owe them.
I’ll see what I can do.
I will about it straight;
No longer staying but to give the mother
Notice of my affair. I humbly thank you:
Commend me to my brother: soon at night
I’ll send him certain word of my success.
I take my leave of you.
Good sir, adieu.
William Shakespeare (audio), “Measure for Measure” Act I Scene IV
Cast & Crew Lists
|Paladin||An arbiter||Richard Boone||40||Credited|
|Father Bartolome||Priest||John Carradine||52||Credited|
|Ian Crown||Black Angus Ranch owner||Judson Pratt||41||Credited|
|Sancho Fernandez||Rustler and thief||Simon Oakland||42||Credited|
|Stocker||Black Angus ranch hand||Fred Graham||49||Credited|
|Pedro||Orphan||Bart Bradley (Braverman)||12||Credited|
|San Sebastian hotel clerk||Than Wyenn||39||Credited|
|Crown ranch hand||Fred McDougall||39||Uncredited|
|Sancho Fernandez' brother||Mentioned|
|Director||Andrew V. McLaglen|
|Assistant Director||Nathan R. Barragar
|Creators||Herb Meadow & Sam Rolfe
|Script Supervisor||Mary Chaffee|
|Associate Producer||Sam Rolfe|
|Production Manager||Glenn Cook
|Director of Photography||Fleet Southcott
|Opening Theme Music Composer||Bernard Hermann (Herrmann) (Uncredited)
|Supervising Editor||Fred W. Berger, A.C.E.
|Film Editor||Samuel (Sam) Gold
|Optical Effects||Jack Rabin & Louis DeWitt
|Sound Editor||Roderick Sound, Inc.
|Property Master||Mike Gordon
|Makeup Artist||Glen Alden|
|Hair Stylist||Pat Whiffing, C.H.S.|
|Set Decorator||Raymond Boltz, Jr.
|Set Design||Paul Sylos, Jr.|
|Casting||Lynn Stalmaster and Associates|
|Richard Boone's Stunt Double||Hal Needham (Uncredited)|
|Production Companies||A CBS (Columbia Broadcasting System) Television Network Production, Filmaster Productions
|Recording Company'||Westrex Recording System
|ATFP (Alliance of TV Film Producers)
Paramount Studios – 5555 Melrose Avenue, Hollywood, Los Angeles, California, United States of America
Trail to Sancho Fernandez scene
Bronson Caves – Bronson Canyon, Griffith Park – 4730 Crystal Springs Drive, Los Angeles, California, United States of America
Have Gun – Will Travel episodes (written, spoken and credits). Internet Movie Database (IMDb), authors (cited), philosophers (cited), poets (cited) and individual observation.
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